Organiser
of an International Conference
‘The Performances of Powers or the Powers of Performance’, funded by CSIG
Loughborough University, 21st and 22nd November 2008.
This interdisciplinary workshop
brought together 25 academic participants from different countries exploring
from diverse perspective how the performing arts generate collective
identities, serve as a means of societal/political protests and feed into wider
nationalist discourses. Panels were organised into three main streams:
‘Performances, the Nation and the State’; ‘Performing Powers’ and ‘Performing
Antagonism’. Professor John Street (East Anglia University, UK) and Professor
Carlotta Sorba (University of Padua, Italy), delivered key-note speeches.
Selected Conference Papers
· ‘Reclaiming Diversity: An Exploration of the Political
Significance of Protest Music in Turkey’, at the Conference “Protest Music in
the Twentieth Century, Centro Studi Opera Omnia Luigi Boccherini and University
of Granada, Lucca, 15th – 17th September 2013.
· ‘I discorsi di cuori migranti in Italia: la
rappresentazione dell’amore nei racconti degli scrittori migrant pubblicati da El-Ghibli’, Milan, 15th June 2013.
· ‘Vestire
l’uniforme: Il processo di costruzione dell’eroe in alcune opere
risorgimentali’, (Wearing the Uniform: The Process of Construction of the Hero
in some Risorgimento Operas) at the 6th SIS Conference, Padova, Venice, 11st -3rd
February, 2013.
· ‘Amore
& Leghismo: Perspectives of Italian Writers with Migrant Backgrounds’,
PAMLA 2012 Conference, Seattle University, October 19th-21st
2012.
·
‘The Cultural Struggle between Love and Patriotic Duty
in Operas from Italian Early Risorgimento’ at the 1st Global Conference Gender
& Love, Mansfield College, Oxford, 19th-21st September 2011.
· ‘The
Cultural Struggle of the Risorgimento at La Scala (1814-1848)’ at the
International Conference V.I.V.A. Verdi: La Musica dal Risorgimento all’Unita’
d’Italia, Centro Studi Opera Omnia Luigi Boccherini, Pistoia, 15th -17th
September 2011.
· ‘O
mia patria si’ bella e perduta: The Shifting Significance of the Chorus of the
Hebrew Slaves from the Risorgimento to the Berlusconi Period’ at 150 Years of
United Italy Conference, American University of Rome, Rome 8th-9th April 2011.
·
Organiser and chair of the panel ‘Che Genere di Nazione? (What
Gender/Kind/Genre of Nation?)’ at 5th SIS Conference (Italian Society of Women
Historians), Naples, Italy, 28th -30th January 2010.
·
‘Italian
Operatic Singers Embodying the Nation: the sacrifice of chastity’, at AAIS
Conference, St. Johns University, Manhattan, New York, USA, 7th -10th May 2009.
·
‘Performing
Opera and Nation building: the case of La Scala’ at the conference Beyond the
Campus, Cumberland Lodge, UK, 5th January 2009.
·
‘Opera
and Political Culture: Hegemony and Subversion in Risorgimento Milan’ at the
Conference on Popular Culture and World Politics, Bristol University, UK, 11th-12th
September 2008.
·
‘Musical
Culture and Class in Risorgimento Milan’; discussion paper for the Postgraduate
Workshop on ‘Reproductions: Social Class in Theory and in Practice’, Department
of Politics, Warwick University, 21st June 2008.
·
‘Beyond
Verdi: Operatic Culture and Construction of the Nation during the
Risorgimento’, Society for the Italian Studies 2008 Postgraduate Colloquium,
University of Reading, UK, 6th
June, 2008.
·
Discussant at the roundtable ‘The 2008 Italian general
elections’ organised by the Centre for the Study of International Governance,
Loughborough University, UK, moderated by Dr. Maurice Fitzgerald, 2008.
·
The Risorgimento Historiography: from the Battlefield
to Romanticism’ at the Postgraduate Conference of Italian Studies, Cork
University College, Ireland, 1st March 2008.
·
‘The
Political Role of La Scala during the Risorgimento: Hegemony and Subversion’
presentation at the seminar series of the Department of PIRES, Loughborough
University, 30th May, 2007.
·
‘E non voglio piu’ servir! A
Discourse of Rebellion in Italian Opera’, paper presented at the American
Association of Italian Studies 2007 Conference, Colorado Springs, USA, 3rd
– 6th May, 2007.
·
Was
Opera in Italy the 19th Century’s Pop Music? Diverse Aspects of Opera in Milan
before Italian Unification” at the International Conference of Croatian
Musicological Society, Zagreb, Croatia, 24th -25th November, 2006.
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